What’s the meaning of this Dhofar cave painting?

Throughout Dhofar are hundreds of caves decorated with ancient cave paintings. Colours commonly used are black and red, but green is occasionally found. Some paintings seem like doodles; while others tell a story from long ago…

The photographs here of this cave painting in the Dhofar Mountains in southern Arabia seem to tell a story. What it looks like is a caravan of laden camels being raided. We see men on horseback with swords and shields. There’s one man upside down falling to the ground. At the bottom of the painting is what looks like a tally – maybe they counted the cost of camels lost or men killed in the raid.

Any suggestions? Any other story this painting might tell?

Undeciphered inscriptions in south Arabia…

Inscriptions in known Hadrami script have been found at Khor Rori, Hanun and Wadi Andhur. However, it wasn’t until relatively recently that further inscriptions, this time in a previously unknown script, were discovered. Since about 1988 many of these inscriptions have been documented by local historian, Ali Ahmed Al-Shahri*. He has documented more than 250 sites containing  this language. The texts are painted on the walls of caves in the Dhofar mountains or pecked onto rocks further north in the Nejd. While the language remains undeciphered it is clearly related to the South Semitic script.

Some think that this undeciphered script is the written form of the language that is spoken in the Dhofar Mountains to this day – Shehri, more commonly known as Jibbali.

Dhofar Cave painting GI10523RM

© Ross Hayden. Cave painting in Wadi Darbat.

As well as the inscriptions, there are many cave paintings of domesticated animals (camels, cows, goats, horses) as well as wild animals (ibex, wolves, leopards, foxes).

Dhofar cave painting GI10572RM

© Ross Hayden. Cave painting in Wadi Darbat.

Al-Shahri reached the following conclusions about the incidence of inscriptions and drawings in Dhofar: the largest number of inscriptions and drawings were found in areas distant from well-worn mountain passes and routes taken by caravans. The inscriptions were, in fact, mostly found in areas heavily used by herders and their animals. Inscriptions and drawings were only found in caves which would have been suitable for human habitation. Often the subject of the drawings varies with locality – for example, ibex in the high dry plateaux; palm trees and boats near the coastal plains. However, the techniques, style of inscriptions and drawings, and the materials used are very similar wherever they occur throughout the region.

* Al-Shahri, A. A. (1991). Recent Epigraphic Discoveries in Dhofar. Proceedings of the Seminar for Arabian Studies, 21, 173-191.

Ali Ahmed Al-Shahri

Ali Ahmed Ali Mahash Al-Shahri

© Ross Hayden. Ali Ahmed Al-Shahri

Ali Ahmed is well-known, especially in Oman, as an author, researcher, and archaeologist.

He is particularly known for his systematic and tireless recording of ancient paintings and inscriptions found on walls of caves, on rocks or other places in the Dhofar region of southern Oman.

Since the late 1980s he has discovered paintings and inscriptions in over 250 locations in Dhofar. He has photographed these and recorded their location for posterity.

Additionally, he has written two voluminous books and several scholarly articles on his findings, including other aspects of Dhofari customs and culture.